Among my tarot decks, one deserves exactly that kind of special attention: Pitua’s Egyptian Tarot.
My copy is a Lo Scarabeo edition—full-color, richly saturated, genuinely captivating to the eye. But the original—the one everything comes from—is black and white. And that isn’t just a technical detail. Black and white has a different kind of power: it supports concentration. It draws attention to the symbol, the gesture, the line.
Pitua’s Egyptian Tarot isn’t just “another deck.” It is the inspiration and prototype of what may be the most famous tarot deck in the world today—the Rider–Waite. And there’s something especially pleasant here for anyone who has already worked with Rider–Waite: if you know that system, you’ll have no trouble at all working with Pitua’s Egyptian Tarot.
And then, naturally, the question arises:
But what—or more precisely, who—is Pitua?








